Tuesday, December 30, 2008

Guitar For Sale: Guitar Kenny Hill La Curva: the perfect combination of a refined classical concert guitar and a crossover one.($,2000)

Concert guitar made by World-wide famous guitar maker Kenny Hill, La Curva Guitar is the perfect combination of a refined classical concert guitar and a crossover one.
La Curva is an excellent, concert grade, hand made nylon string guitar, featuring a narrower neck and cutaway.
Built in the classic style of Herman Hauser I, this model guitar has excellent clarity, projection, and beauty of sound.
The classic body shape makes it a very friendly guitar to handle and a very comfortable instrument to play. They are wonderful for players who need extra access to the highest notes on the fingerboard:
flamenco players who capo up higher, bossa nova and jazz players - anyone who wants the advantage and styling of a beautiful, concert-quality cutaway.
Most steel string players have never played a truly fine nylon string guitar, or if they have, the width of the classical neck can be uncomfortable for a non-classical player.The beauty of nylon strings is in the tone colors they produce, and the light weight construction and finesse of building bring these colors out.

Sound board: Englemann spruce
Back & sides: Indian rosewood
Neck: Spanish cedar
Fingerboard: ebony
String length: 650mm
Tuners: Schaller

Kenny Hill is a widely recognized name in the world of classical guitars. He operates a shop in Felton California were he builds a catalog of several different styles and models.
Track of Jazz Guitarist Roy Patterson (roypatterson.com) playing La Curva:
Video Classical Guitarist Philippe Bertaud playing La Curva in Villa Lobos DVD:

Sunday, December 21, 2008

Want to learn tremolo?

The key in a good tremolo is evenness and articulation.You need to focus on regularity and each note should have the same volume and duration.

First of all you’ll need a metronome.

Then, practice the first speed burst exercise on all the open string. I start at 60 but you can start slower. Always use a speed you're comfortable at and can control every thing. Practice on the 6 strings.
[Click on images to enlarge]




When you feel comfortable, practice 2 and 3, increasing the speed burst. Keep the metronome at 60 and progressively go to 120.






Exercise 4 introduces P playing on different strings to create a bass line.




Exercise 5 is the same but without the rest. You will play now a continuous tremolo but still at the half of the speed. A tremolo is usualy written in 32nd notes and, at this point we are still playing 16th notes:









Exercise 6 introduces the 32nd notes, still on open strings:



Exercise 7 is the same but with chord changes: C - G - Am - Am - F - G7 - C


Working on a song like Recuerdos de la Alhambra, start with just the chords and then ad your tremolo.
Have any question? Write a comment.
Take it easy,
Philippe

Wednesday, December 17, 2008

The Real Life!

For a long time I thought my life will start soon.
But there always were obstacles to surmount, problems to solve first, moments to spend, bills to pay... And then: THE REAL LIFE WILL START!
Till I realize these obstacles were precisely my life...
This point of view helped me to understand there is no way leading to happiness. Happiness is the way.

Thus, remember that time does not wait.
When one spends each moment as a special one, even more, when one shares this moment with someone special, special enough to share our time with, this is Happiness.
Therefore, enjoy each moment as a unique one. Enjoy your morning and the new day coming like a new venture to live. Make your day a happy one.
Cheers,
Philippe

Friday, December 12, 2008

Dear Guitar Lovers

Dear Guitar Lovers,

I have the great pleasure to invite you for a free Guitar Clinic on:
Saturday December 13th
@ Ridglea Music 6323 Camp BowieFort Worth, Texas 76116
Seating is limited, please register at:
http://www.PhilippeBertaud.com on the clinics page.

4 Sessions of 2 hours each will be available:from 11:00am to 1:00pmfrom 1:00pm to 3:00pmfrom 3:00pm to 5:00pmandfrom 5:00pm to 7:00pm
You will have the unique opportunity to play the best guitars on Earth, Alhambra, hand made in Spain- can you dream any better ? - in the purest tradition:Flamenco, Classical and Electric-Acoustic models.

You will also know more about D’Addario Strings I use and how to take of your instrument…Re-string it, clean the frets and body…

From beginners, students to advanced guitarists or professionals.A stage will be set up for you to share your talents on the best guitars you will ever play.We will also work together on technique, tricks and tips for a free 2 hour workshop! Sign up todayand join us for a free Guitar Clinic. Tell your friends.Seatings are limited. Register now! The first five persons will receive an Alhambra gift.
See you at the Free Guitar Clinic

Saturday, November 29, 2008

Changing Classical Guitar Strings

When To Change Your Strings

"When should I change my strings?"
I use to change mine when the basses lost their brightness.
They usually last about three weeks, but I play five to six hours every day.

"How do I know my strings are dead?"
At this point you'll see fret wear--black marks--on the strings and have difficulty tuning.
If they're really terrible, the basses will be corroded and the trebles scratched (worn rough where you pluck).

Players with sweaty hands can kill fresh strings in less time because of corrosion.
However, the typical hobbyist that washes their hands before practice and plays an hour a day can expect a month of decent tone out of standard strings.



D'Addario Strings
D'Addario Pro Arté Composites, Extended Play Coated, last two or three times longer than standard strings.

EXP Strings Package


D'Addario Strings

I was playing the Pro Arte before and they last quite a long time too:


D'Addario Strings

Traditional String Changing Method

You will save a lot of time and energy usign the ultimate restringing tool. Unlike ordinary peg winders, the patented Pro-Winder is a high-quality peg winder with a built-in clipper and a bridgepin puller. The winder is designed to fit virtually all guitars.

Ergonomically designed with hardened tool steel wire cutters, the Pro-Winder with built-in clipper is the ALL-IN-ONE restringing tool.



Removing Strings

Use the Pro-Winder to unwind the strings. It's faster than winding by hand.
Turn the winder counterclockwise to loosen the string and clockwise to tighten the string.

Don't remove all the strings at once. Instead, remove and install one string at a time. Removing all the strings traumatizes the neck and sound board.
How? The strings exert a total force of 75 to 90 pounds of tension on the sound board and neck. If you release all the tension, the wood flexes. After reinstalling the strings it takes several hours for the sound board to flex back to optimal shape. Thus, you'll notice a lost of volume and tone until the sound board returns to normal.



Attaching The String To The Bridge

Once you have removed a string, attach the string to the bridge as illustrated in the diagram:




Making Your Strings Last

D'Addario Pro Arté Composites, Extended Play Coated, last two or three times longer than standard strings.
They're worth paying twice as much to preserve tonal response and avoid frequent string changes.
Washing your hands before playing also has a major impact on string life. It is helpful to wipe your strings down with a micro fiber cloth.

Micro fiber picks up sweat and oil better than any other fabric.



The Planet Waves Micro-Fiber polishing cloth acts like a magnet for dust, dirt, and oils, and lasts considerably longer than ordinary cloths. Woven from microscopic fibers, the Planet Waves Micro-Fiber Cloth is 10 times finer than silk, up to 30 times finer than cotton, and 100 times finer than a human hair. The fibers are woven into masses of tiny "hooks & loops" which cut through stains, attracting and absorbing dirt, smudges, and microparticles that ordinary cloths cannot reachor remove.
Best of all, the Micro-Fiber polishing cloth needs only minimal polish or no polish at all when you clean your guitar!
http://www.planetwaves.com/pcaredetails.aspx?ID=6

Of course, the more you play, the faster you wear out your strings. That's a fact of life. Live with it.
However, the enjoyment of beautiful tone and wide dynamic response is worth a string change every month or even every week.

Good luck with your next string change!

Philippe Bertaud
http://www.PhilippeBertaud.com

Monday, November 17, 2008

Free Alhambra Guitar Clinics

Howdy Y'all,
Now that I endorsed the coolest guitars on Earth,
Alhambra, I will be offering free clinics.
You will be introduced to all the models from 1-C for beginners
to the Luthier Models, Rio, India and Flamenco.
I will be more than happy to provide you information.
Just email me! or leave a comment at the bottom of the page.
You have nothing special to do beside registering.

Go to the Alhambra Clinic Page to check calendar and register.
The next clinic will be on:

Saturday December 6th
@ Strait Music 2428 W Ben White Blvd Austin, Texas 78717
(800) 725-8877
Seating is limited, please register at: http://www.PhilippeBertaud.com

4 Sessions of 2 hours each will be available:from 11:00am to 1:00pmfrom 1:00pm to 3:00pmfrom 3:00pm to 5:00pmandfrom 5:00pm to 7:00pm

Take care, the Alhambra-Mania is contagious!
Philippe








View the complete Philippe Bertaud tour schedule

Monday, November 10, 2008

Guiarist... Why?

My first passion was the nature. Living in the south of France, where the mountains are breeding with the sea, I wished to become a shepperd. I used to go to workshops and had summer jobs in farms and one of those shepperds I met introduced me to the guitar. You move one finger from C Major to A minor and a whole world is going on… No need to tell you when my parents picked me up, after the workshop, I decided to change my destiny and become a guitarist. I just wanted to play and through a music store, found my first teacher - Serge Donsey - who became my mentor and me, his favorite student.
I used to spend mornings with him, discovering jazz, Brazilian music, classical and a very important notion:to be a specialist of the non-specialization, to be curious and learn all the time. Villa Lobos was my first classical music love story. I created my imaginary Brazil - no need to tell you my first trip there matched my dreams - his music became a walk in the rain forest, portraits of Brazilians, lovers on the beach…And then, it was time to cut the umbilical cord and go to the Conservatory.
There it was a very different story:conservative people - yeah, it is the conservatory… - judgemental about your positions and a lot of things far from the music. I get into the egomaniac world. I never heard before you had different guitar schools ! I thought everyone was a part of the guitar world. Wes played with the thumb, Baden with all the fingers, Joe Pass with a pick and so what? They were different, but you can recongnize their sound like a voice. What a goal instead of being formated to the same playing style.This is what I am going to stick to as a performer and a teacher and share with you.
All the best,
Philippe